Struktur Gerak Cai Qing dalam Pertunjukan Barongsai Aliran Fo-He di Kota Medan
(1) Universitas Sumatera Utara
(2) Universitas Sumatera Utara
(3) Universitas Sumatera Utara
Keywords
Full Text:
PDFReferences
Artono, Riyadi, & Najamuddin. (2018). Barongsai as a strengthening tool to reach harmonious multiculturalism. Advances in Social SCience, Education and Humanities Research. 226, 18–22. 10.2991/icss-18.2018.5
Beng, T. S. (2007). The Lion Dances to the Fore: Articulating Chinese Identities in Penang and Medan. In Authenticity and Cultural Identity Senri Ethnological Reports (Vol. 65). 63-78.
Creswell, J. W. (2016). 30 Essential Skills for the Qualitative Researcher. Thousand Oaks, CA: SAGE Publications.
Hadi, Y. S. (2017). Koreografi: Bentuk–Teknik–Isi. Yogyakarta: Cipta Media.
Hawkins, A. M. (1991). Moving from Within: A New Method for Dance Making. Chicago: A Cappella Books.
Kaeppler, A. L. (2000). Dance ethnology and the anthropology of dance. Dance Research Journal, 32(1), 116–125.
Miles, M. B., Huberman, A. M., & Saldaña, J. (2014). Qualitative Data Analysis: A Methods Sourcebook (3rd ed.). Thousand Oaks, CA: Sage Publications.
Perdana, R. P., Ismunandar, & Muniir, A. (2017). Pertunjukan Barongsai di Vihara Tri Dharma Bumi Raya Kota Singkawang. Jurnal Pendidikan dan Pembelajaran Khatulistiwa, 6(9), 1–11.
Pradhan, M. M. (2024). From the Zhou Dynasty Onwards: A Chinese Cultural Phenomenon in Singapore and Beyond [Book review]. Rising Asia Journal, 9(2).
Qiu, L., Rahman, A. R. A., & Dolah, M. S. B. (2024). Exploring the evolution and cultural significance of Guangdong lion dance in Chinese traditional culture. International Journal of Academic Research in Business and Social Sciences, 14(2), 2131–2143. https://doi.org/10.6007
/IJARBSS/v14-i2/20905.
Rojihan, L. A., Pristiati, T., & Widyawati, I. W. (2025). Bentuk iringan musik pada pertunjukan Barongsai di Klenteng Tjoe Hwie Kiong Kota Kediri. Journal of Language, Literature, and Arts, 5(2), 150–167. https://doi.org/10.17977/um064v5i22025p150-167.
Royce, A. P. (2002). The anthropology of dance. Dance Books.
Simanjuntak, F. N., & Idawati. (2025). Fungsi kesenian Barongsai pada masyarakat Tionghoa di Kecamatan Payung Sekaki Pekanbaru Provinsi Riau. Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi, 2(3), 14–24.
Smith-Autard, J. M. (2005). Dance Composition: A Practical Guide to Creative Success in Dance Making (5th ed.). London: A & C Black Publishers.
Sugiyono. (2022). Metode Penelitian Kualitatif, Kuantitatif, dan R&D. Bandung: Alfabeta.
Suratmi, N. (2016). Multikultural: Karya Pelestarian Kearifan Lokal Kesenian Barongsai - Lion. Malang: Media Nusa Creative.
Soedarsono. (1998). Seni Pertunjukan Indonesia di Era Globalisasi. Jakarta: Direktorat Jenderal Pendidikan Tinggi, Departemen Pendidikan dan Kebudayaan.
Tan, C. (2025, December 2). What is Cai Qing in Lion Dance? The Thrilling Lettuce-Snatching Tradition Explained. Lion Dance Singapore. Diakses dari https://www.liondance.sg/blog/what-is-cai-qing-in-lion-dance.
Xu, J., Liu, Z., & Chen, K. (2022). An evolution of lion dance in Hong Kong from the perspective of cultural symbols. Communication across Borders: Translation & Interpreting, 2(1), 35–41.
DOI: https://doi.org/10.34007/jipsi.v6i2.1176
Article Metrics
Abstract view : 14 timesPDF - 2 times
Refbacks
- There are currently no refbacks.
Copyright (c) 2026 Jurnal Pendidikan dan Penciptaan Seni

This work is licensed under a Creative Commons Attribution 4.0 International License.
Jurnal Pendidikan dan Penciptaan Seni

This work is licensed under a Creative Commons Attribution 4.0 International Public License

